I go away for two weeks, and come back to find everything falling down: my teacher called last night to tell me that, due to a family situation she's going through, she had to make the decision to suspend her twice-weekly classes until after the summer. I've already thought up of two other teachers I could go to, and plan to do some more shopping around this week, but I'm still really sad about not being able to go to my regular teacher, as I really prefer her classes. Right now, I suspect I'm basically looking at about six months of not having regular class sessions, but instead taking workshops, ocassional lessons, and relying on videos, and I would love to hear your tips on getting the most out of these when not going to class. Additionally, I also wish there was something I could do for my teach, as doubtless this is a blow for her, both emotionally and financially, so any extra advice on this from instructors who have gone through similar experiences would be greatly appreciated.
Stopping regular lessons for a while - advice?
- Thread starter Zurah
- Start date
da Sage
New member
Hi Zurah,
I'm also a bit stuck with classes. I can't go to my old teacher any more, and I have scheduling issues in general. I just signed up for a class with a really excellent teacher I've been wanting to take from, but I'm not sure if I will be able to make all the classes.
I need a time machine.
EDIT: I guess whining about my situation isn't particularly helpful, is it? I find practicing regularly (it's easiest to do it for a short time every day, so I never have to start up again after a break) helps. I drill on my own, and use videos, too. Snake arms, umis, pelvic tucks/drops, vertical hip figure-8s, and mayas are all on my must-practice list - they tend to look shabby if I don't practice them regularly.
I really struggle a lot with feeling stuck and feeling like I'm not progressing. So I think the thing to do is to make an effective plan to hold your ground, dance-wise, and also identify something new you want to work on.
I'm also a bit stuck with classes. I can't go to my old teacher any more, and I have scheduling issues in general. I just signed up for a class with a really excellent teacher I've been wanting to take from, but I'm not sure if I will be able to make all the classes.
I need a time machine.
EDIT: I guess whining about my situation isn't particularly helpful, is it? I find practicing regularly (it's easiest to do it for a short time every day, so I never have to start up again after a break) helps. I drill on my own, and use videos, too. Snake arms, umis, pelvic tucks/drops, vertical hip figure-8s, and mayas are all on my must-practice list - they tend to look shabby if I don't practice them regularly.
I really struggle a lot with feeling stuck and feeling like I'm not progressing. So I think the thing to do is to make an effective plan to hold your ground, dance-wise, and also identify something new you want to work on.
Last edited:
karena
New member
I'm not in the situation, so it's easy for me to say, but why not reframe it as an opportunity to consolidate and really consider what she has taught you so far. Sit down and write down what she has taught you, really focus in on and practice things. Figure out what you like, don't like, do well, don't do well, would like to work on more etc. And then work on those things. Sometimes when you're learning it easy to get caught up in continually learning and never reflect and consolidate. You've got a great opportunity to really reflect on what you've done to date, and prepare yourself ready for when she is back to teaching. You'll then be able to have a great focus on where you are at and where you want to go, when she is back.
But that's all easy for me to say...
But that's all easy for me to say...
jenc
New member
This happened to me - in happier circumstances. My teacher is having a baby (next week?). Although I have tried other teachers, this has not really been very successful. I have practiced on my own - I will give you the benefit of my experience in getting the most out of it. I'm afraid this will be more along the lines of what I wish I had done.
1 Identify what you are good at at and also what you are not so good at. don't think I don't need to practice that because I don't think I will need it. I have just started working on shulder shimmies after 6 months of planning my own practices, because I finally realised that although they are only a small part of any dance, I needed lots of practice to enable me to use them in layering so that I don't shake everything else.
draw up a list of things you can practice in 5 minute bursts. shimmies, head slides etc that you can do whilst waiting for a bus, boiling a kettle etc and make sure you do some of each every day.
practice at lest 15 minutes every day. We benefit more from shorter, more regular sessions.
Watch some good dancing and it will sink in. I try to watch a dvd or some YouTube when I am too tired. I remember reading someon say that after filming some dvd the technicians who had never danced before had learnt how to do some moves properly.
If you are lacking in feed back. Make a practice diary to note down what you praactice each week, and write down when you think you got something.
you could also film yourself before and after.
I'm off now to put some of that into practice myself!! I thnik I should take my own advice!!!
Good luck
1 Identify what you are good at at and also what you are not so good at. don't think I don't need to practice that because I don't think I will need it. I have just started working on shulder shimmies after 6 months of planning my own practices, because I finally realised that although they are only a small part of any dance, I needed lots of practice to enable me to use them in layering so that I don't shake everything else.
draw up a list of things you can practice in 5 minute bursts. shimmies, head slides etc that you can do whilst waiting for a bus, boiling a kettle etc and make sure you do some of each every day.
practice at lest 15 minutes every day. We benefit more from shorter, more regular sessions.
Watch some good dancing and it will sink in. I try to watch a dvd or some YouTube when I am too tired. I remember reading someon say that after filming some dvd the technicians who had never danced before had learnt how to do some moves properly.
If you are lacking in feed back. Make a practice diary to note down what you praactice each week, and write down when you think you got something.
you could also film yourself before and after.
I'm off now to put some of that into practice myself!! I thnik I should take my own advice!!!
Good luck
Outi
New member
I really like Karena's answer. This could also be your chance to to get something new to your dance and get your own style stronger.
Watch good performance videos of your favourite style, and maybe some others, too. Try get some different feeling from those dancers. Try to feel their emotion. See which things, steps with music, emotions, etc. you find interesting. And think why.
Listen a lot new music. Study singers, songs etc.
With all this you can easily spend a couple of months. And of course dance and improvise.
Outi
Outi of Cairo
Watch good performance videos of your favourite style, and maybe some others, too. Try get some different feeling from those dancers. Try to feel their emotion. See which things, steps with music, emotions, etc. you find interesting. And think why.
Listen a lot new music. Study singers, songs etc.
With all this you can easily spend a couple of months. And of course dance and improvise.
Outi
Outi of Cairo
I like what people have suggested so far. Due to my remote location, I am unable to actually take lessons so I rely on the occasional workshop and lots of DVD's. I try to practice at least 45 mins a day doing a variety of things. I found a wonderful DVD I use for drilling which I use for about 20 mins, then I put on a different DVD to work on things and end with 20 mins of music to just dance. I try to work out at least 5 days a week and I hope your time off works to your advantage.
Everyone has great advice so far. All I can add are a few positive words of encouragement. Keep remembering in the meantime, whether or not you decide to try a different instructor, practice at home the moves you learned or from dvd's, remember your instructor that you like and respect will be back to teach you again a few months time. You might find taking lessons from another instructor helps you learn certain moves in a different way or you might learn something new. Send your teacher a little card or a nice phone call, telling her you hope whatever she is going through turns out well and that she is in your thoughts. Good luck to you and I hope to hear what you decide to do. Hugs!
Jane
New member
Everyone's had great ideas so far
Definatly stay in contact with your regular teacher. Drop her a line every so often, but respect her privacy. Maybe in her situation she could use a break from her kids and trade you an occasional private lesson, at a convienient time for you both, for baby sitting.Practice what you already know and review the basics. Don't let yourself get out of shape. Even if you don't dance keep moving.
Keep up with the workshops and private lessons, write everything down during the breaks and film yourself when you get home so you don't forget. The best thing is to go to workshops with a dance buddy so you can jog each other's memory about what you learned.
Get some good quality videos and study with them. Turn them off when you feel overloaded.
Watch other dancers live and taped. Look at them and figure out what they are doing and why. Do you really like it? Or do you just think you should? Why or why not? Is it entertaining? Does it make you feel? How does the dancer interperet the music? etc.
I'm going to go out on a limb with a crazy idea. Stop focusing on the technique. Boy that sounds really strange! When you don't have a regular teacher it's easy to learn incorrectly or let moves become sloppy because you're not getting any feedback. Maybe for the few months you don't have a teacher, you can focus on learning about the cultures, drumming, zills, musicality, costuming, styles, history of the dance, Middle Eastern food, emotional connection, language or other aspects of the dance. You could focus on just Egyptian dance or dancers or maybe pick another style to explore. All of these things will enrich you as a dancer, so that when are back in a class room setting you have more in your head and heart.
Sorry for cruddy spelling.