To throw a brass spanner in the works. Is there anyone else who like me doesn't actually like listening to the dancer who clatters away to "canned music" with her zills?
I have no problem with a dancer playing them skilfully along with an Egyptian band..this seems somehow correct..They are musical instruments and she is one of the musicians as well as dancing.
But oh my... if I listen and watch the dancer who bangs away at her favourite pattern and drowns out the music she is dancing to, I get rather .......
At least few European dancers seem to do it!But I recently watched a US dancer and just wanted to see if I could see her "connection to the music" ..as you do! But couldn't hear the pieces through the godawful racket of her zills.
You are definitely not alone in not liking to listen to a dancer "clattering away" on zills with little or no regard to the music. When I teach zills I emphasize that when you play them you are essentially a member of the band whether the band is in the room with you or on a recording. Dancers who overplay the zills and dominate or cover up the music usually annoy the audience whether playing with a live band (who get even MORE annoyed than the audience) or with a recording. When you're a member of the band (live or recorded) you should have the courtesy to play *with* them not drown them out!To throw a brass spanner in the works. Is there anyone else who like me doesn't actually like listening to the dancer who clatters away to "canned music" with her zills?
I have no problem with a dancer playing them skilfully along with an Egyptian band..this seems somehow correct..They are musical instruments and she is one of the musicians as well as dancing.
But oh my... if I listen and watch the dancer who bangs away at her favourite pattern and drowns out the music she is dancing to, I get rather .......
At least few European dancers seem to do it!But I recently watched a US dancer and just wanted to see if I could see her "connection to the music" ..as you do! But couldn't hear the pieces through the godawful racket of her zills.
I actually had my first zill instruction today, and it was SUPER fun. I picked up a cheapie set of zills to practice with at Barnes & Noble, since there's a book with an instructional DVD and CD that come with it. I figured that for $6.49, I couldn't go wrong. The book's by Carolena Nericcio, if anyone's heard of that setup. It came with a tacky bindi too, but that won't see a whole heck of a lot of light! :naghty:
The zill instruction I have gotten so far has been a lot of fun, and I am working on coordinating finger movements with anything else at this point. At this point, when I start moving another part of my body in concert with the zills, my timing vanishes on my fingers. Of course, I am planning on really working it as much as I can tomorrow, (as much as I can fit in with ten pages of dissertation to write this upcoming week!) and then see what I can also fit in on Saturday night and Dunday before class again on Tuesday. I want to be able to at least walk and use the zills by next week. :shok:
I am so glad to have read this. We did zills yesterday and I was so frustrated, I was almost in tears. First of all, my zills suck. Second, I cant hear the rhythms for anything. My teacher said if you cant hear it, or lose it, to stop and let your feet or your hip pick it up, then go back. "The hip hears when the ear cannot".
I need new zills. I think perhaps if I had a different pair, I'd not despise zills so much.
**edit** trying to buys zills. Both Saroyan and Turquoise checkout processes are being harder than it should be. Making me stabby!
**edit** trying to buys zills. Both Saroyan and Turquoise checkout processes are being harder than it should be. Making me stabby!