ITA with the above:clap:In relation to disability or illness..
The arts and media world is full of fully functioning and successful people with BPD, depression etc. etc. etc. Bill gates has Aspergers Syndrome and there are people surrounding us every single day with things we cannot see or know about.
I have people in my classes, youth club and personal life with various issues...we all do.
If people choose not to declare such things then that is their personal choice.. we should assume they wish to be treated equally like everyone else in the world. Lets respect that and not try and patronise people by second guessing their ailments, domestic problems, identified or un-diagnosed illnesses.
present the form as a form of its own, not "the evolution of belly dance" like belly dance was static and unchangeable like the fictive Orient and it took some Americans to pull it out of the Dark Ages....
You could take the short cut and watch the movie. I think there were two made of the first book. No belly dance scenes that I can recall.
Sorry for getting a little off topic everybody!
Argentine Tango has a regional origin, but is now danced world-wide. Samba, likewise, with the added nuance that what is formally recognized as Samba today is different from the original form - but it's still called Samba.
The dancers pursuing the AT and Samba art forms do not need to know the cultural, regional or political history surrounding the birth or development of these dance forms to become beautiful AT and Samba dancers in their own right.
Likewise with belly dance. The only difference between belly dance and these other dance forms is the formal codification (definition) and recognition of the art form.
Goth BD, ATS, ITS and TF dancers call themselves belly dancers because they are. The moves and transitions used in these dances aren't invented or pulled from any dance form but belly dance. The dancers rock out to different music, wear different costumes and present the moves and transitions with different feeling, but it's still inherently belly dance.
There's nothing mystical or sacred about BD. It's a beautiful, uplifting dance form, like many other dance forms, that it is attainable to anyone who puts in the study time and sweat.
Speaking of which, it's time for me to go practice. :dance:
I feel like I might be sticking my neck out here on a chopping block by getting myself involved in this but what the hell, nothing ventured, nothing gained.
As a fusion dancer myself (and a controversial one at that apparently re: the Caribbean fusion thread :naghty::think I find this an interesting topic. THere is no denying that all dance evolves and changes, be it for the better or for worse.
I have struggled with what to call my dance style.
I feel like I might be sticking my neck out here on a chopping block by getting myself involved in this but what the hell, nothing ventured, nothing gained.
As a fusion dancer myself (and a controversial one at that apparently re: the Caribbean fusion thread :naghty::think I find this an interesting topic. THere is no denying that all dance evolves and changes, be it for the better or for worse.
I have struggled with what to call my dance style. I use so much belly dance movement vocabularly that I feel that credit should be given to belly dance, however I also use caribbean/african posturing such as a lower wide legged stance and alternate pelvic posture which are the antithesis of raqs sharki (by my understanding, please correct me if I am wrong).
I have always explained to students in my fusion class that should they venture into the land of traditional belly dance to NOT use such posturing and movement as in that setting it would not be appropriate. I also encourage them to take a traditional belly dance class with a highly recommended instructor.
Do you have any videos posted, I'm curious to see what your fusion looks like. ^_^
I just read the thread you mentioned. Like some of the others, I don't know much (anything) about dancehall music and your culture, so I found it educational both on the culture and on the whole "fusion" issue.
Having watched your clips, I respect you for saying that you struggle with what to call your style. I felt like you were trying to interpret that music the way I have been trained to do so with Middle Eastern music. You have excellent technical skills and your performance was enjoyable to watch. It's obvious you have thought about this fusion, and no matter whether or not each of us feels like it was a SUCCESSFUL fusion or not, it is really an excellent discussion point for the topic of fusion.
If you put a gun to my head and forced me to describe it, I guess I'd say that the first clip seems (maybe -- my knowledge is limited/nonexistant) like Caribbean club dance with a strong belly dance "accent" -- NOT because of the movements, but because of the way you have interpreted the music. My first thought was "oh she's listening to the music the way a bellydancer would." The dance specifically didn't track TO ME as bellydance, and because of the cultural issues brought up in the other thread, if it were my dance, I probably wouldn't call it bellydance fusion, but that's just my opinion and I'm quite conservative with what I consider to be "bellydance" to begin with, so ...
In other words, I sympathize with you saying you struggle with what to call it.
Are you talking about ballroom tango and ballroom samba? If so, they're NOTHING at all like Argentine tango and samba as in "carnival" samba. My latin dance friend who also does ballroom tango would have no idea what to do if she were told to do Argentine tango or non-ballroom samba. I can understand not needing to go in depth into the history of ballroom samba/tango in order to be a beautiful dancer in those forms because those dances are rooted as sports - not as a cultural danceform. In order to perform Argentine Tango and Samba beautifully? I believe that yes, you have to know about the history and the culture.
Same with belly dancing.
Are you saying that the moves in belly dancing can't be found in any other dance form? The samba dancers I saw during the Carnivale celebrations in Portugal and Brazil shimmied the way we do. Or Hula? Or Afro-Carribean? Belly dance "movements" aren't exclusive to belly dancing.
lol oh yes, do I ever. I'm addicted to youtube...and there is no rehab for it LOL. Since August 2006....I"ve watched over 30,000 videos...scary eh lol!
YouTube - sweetberry07's Channel is my channel
THis is the link to the specific video that came "under fire" on the forums here
YouTube - Fiesta Multicultural show- Caribbean Bellydance Fusion
Its from last March
This one is from last October from a Halloween belly dance show
YouTube - Feelin' Hot Hot Hot Wuk - Tropical Devil Belly Dance Fusion for Halloween
THe last minute or so of that performance is pretty much just dancehall (albeit watered down in comparison to current development of dancehall), just a heads up.
And if you're pressed for time, ythis is a demo video of mine, has everything from arabic pop to taxim, drum solo, caribbean fusion etc
YouTube - Cassandra Fox Demo Video
I dance to just about anything if I hear a song and I like it. I've got everything on my channel from Red Strokes by Garth Brooks, to Despedida by Shakira.
I think that if a music moves you, you should be allowed to dance to it.
I think everyone on here will agree that you should be allowed to dance to whatever music you like.
The troublesome issue is what to CALL your dancing. How you represent it to the public..
I really think that if it holds the spirit of belly dance, it can be called a belly dance.
the generic community standard that is bellydance.